mystery method bootcamp
When you tell a story, it doesn’t have to be explicitly impressive. In fact, it’s better if it’s not some amazing story; you don’t want the target to think you’re trying to impress her. As long as the story is fun, interesting, and most importantly captures the attention of her group, then it is fine. These sorts of stories are most congruent if they are somewhat true and based on events from your own life.
When it is possible to convey traits that will flip attraction switches, without making it obvious that you are doing so deliberately, it is a DHV and generates attraction. For example, in a story, it is possible to flip the leader of men attraction switch by congruently adding something like: “…so I told him I have no choice, it’s my little sister. So he jumps in the car, cause you know my friends are there for me one-hundred percent, and I’m the same way for them, that’s just how we are…” Similarly, the preselection switch and other switches can be flipped in this manner also.
Describe in terms of sensation and emotion
When telling stories, men tend to focus on the facts at hand, whereas women look for the sensation and emotion caused by the experience. Structure your language to take this into account. Example:
Bad: This guy grabbed my ass, can you believe that? I looked like an idiot.
Good: Then I felt a strong hand caress my ass and grip it tightly. I turned around, and there was this man with a handlebar mustache smiling suggestively at me. All the girls started laughing. I have never.. .felt so surprised.. .and embarrassed.. .in my entire life!
Notice how the above story segment conveys the emotions of surprise and embarrassment — both of which are useful during a story. Three or four story segments like this put together can lead the listener through a little emotional journey. With skilled delivery, this is a DHV, even if it doesn’t reveal some value-raising factoid about your lire.
